{"data":[{"id":"9782847250954","title":"L'avant-sc\u00e8ne cin\u00e9ma n.601 : les adieux \u00e0 la reine","description":null,"authors":["L'Avant-Scene Cinema"],"category_codes":["6000000","6070000","6070300"],"visuals":{"large":"https:\/\/images.epagine.fr\/954\/9782847250954_1_75.jpg","medium":"https:\/\/images.epagine.fr\/954\/9782847250954_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/954\/9782847250954_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"15,00 \u20ac","formatted_published_date":"1er mars 2013","publisher_availability_label":"Sur commande","short_details":"L'Avant-Scene Cinema \u2014 Alice Edition","translator":null,"weight":200,"page_count":144,"readership":null,"editor":"Alice Edition","price":1500,"published_date":"2013-02-28T23:00:00.000000Z","support":"Revue","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782847250954\/lavant-scene-cinema-n601-les-adieux-a-la-reine"},{"id":"9782847251104","title":"L'avant-sc\u00e8ne cin\u00e9ma n.615 : l'apollonide","description":null,"authors":["L'Avant-Scene Cinema"],"category_codes":["6000000","6070000","6070300"],"visuals":{"large":"https:\/\/images.epagine.fr\/104\/9782847251104_1_75.jpg","medium":"https:\/\/images.epagine.fr\/104\/9782847251104_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/104\/9782847251104_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"15,00 \u20ac","formatted_published_date":"15 septembre 2014","publisher_availability_label":"Sur commande","short_details":"L'Avant-Scene Cinema \u2014 Alice Edition","translator":null,"weight":342,"page_count":152,"readership":null,"editor":"Alice Edition","price":1500,"published_date":"2014-09-14T22:00:00.000000Z","support":"Revue","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782847251104\/lavant-scene-cinema-n615-lapollonide"},{"id":"9782862764306","title":"Calendrier de marseille","description":"Des plus belles images aux gravures, lithographies et dessins, Marseille est la ville la plus repr\u00e9sent\u00e9e au cours des si\u00e8cles par les artistes.\r\nAu fil des mois, Marseille se d\u00e9guste avec les yeux.","authors":["Collectif"],"category_codes":["6000000","6070000","6070200"],"visuals":{"large":"https:\/\/quaidesbrumes.com\/img\/book-placeholder.png","medium":"https:\/\/quaidesbrumes.com\/img\/book-placeholder.png","thumbnail":"https:\/\/quaidesbrumes.com\/img\/book-placeholder.png"},"orderable":true,"show_badge":true,"formatted_price":"15,00 \u20ac","formatted_published_date":"30 mars 2005","publisher_availability_label":"Sur commande","short_details":"Collectif \u2014 Jeanne Laffitte","translator":null,"weight":0,"page_count":124,"readership":null,"editor":"Jeanne Laffitte","price":1500,"published_date":"2005-03-29T22:00:00.000000Z","support":"Calendrier","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782862764306\/calendrier-de-marseille"},{"id":"9782970058267","title":"D\u00e9cadrages Tome 11 : Terrence Malick","description":"Dans le paysage de la production hollywoodienne, Terrence Malick est une figure singuli\u00e8re. Avec seulement quatre longs m\u00e9trages r\u00e9alis\u00e9s sur une p\u00e9riode de plus de trente ans, il pourrait passer pour un \u00abg\u00e9nie m\u00e9ticuleux\u00bb \u00e0 la Kubrick si l'on pouvait plus ais\u00e9ment asseoir son statut d'auteur et si ses deux derniers films ne comportaient pas une d\u00e9mesure qui en fait des oeuvres \u00abprobl\u00e9matiques\u00bb (au sens positif du terme). A la discr\u00e9tion du cin\u00e9aste (qui n'appara\u00eet par exemple qu'en creux dans le making of de son dernier film) correspond l'indiscutable carence de la litt\u00e9rature portant sur son travail: aucune monographie ne lui a \u00e9t\u00e9 consacr\u00e9e, et il n'y a \u00e0 ce jour dans le domaine francophone gu\u00e8re que l'opuscule de Michel Chion qui porte sur l'un de ses films. Nous esp\u00e9rons ouvrir la voie avec ce dossier \u00e0 de plus amples r\u00e9flexions sur cette oeuvre prot\u00e9iforme, tiraill\u00e9e entre grandiloquence et sobri\u00e9t\u00e9, entre l'esth\u00e9tisation de l'image et le tourbillon d'un montage tant\u00f4t hach\u00e9, tant\u00f4t d'une fluidit\u00e9 \u00e9poustouflante. Au vu des caract\u00e9ristiques esth\u00e9tiques des films de Malick, on ne s'\u00e9tonnera pas de trouver dans plusieurs contributions de ce dossier une attention port\u00e9e \u00e0 des param\u00e8tres de type \u00abrythmique\u00bb convoqu\u00e9s de fa\u00e7on particuli\u00e8rement manifeste dans les deux derni\u00e8res r\u00e9alisations du cin\u00e9aste. Examinant la question de la musicalit\u00e9 et la fa\u00e7on dont le Pr\u00e9lude de L'Or du Rhin impr\u00e8gne \u00e0 diff\u00e9rents niveaux l'esth\u00e9tique et les significations du Nouveau Monde, Laurent Guido inscrit le travail du cin\u00e9aste dans une recherche sur le rythme qu'il corr\u00e8le \u00e0 une tradition de repr\u00e9sentation profond\u00e9ment ancr\u00e9e dans l'histoire am\u00e9ricaine; dans l'article \u00abEntre distance et immersion: des voix qui glissent sur le monde\u00bb, un constat similaire est propos\u00e9 en ce qui concerne l'usage des voix-over, proc\u00e9d\u00e9 dont Malick use dans tous ses films en lui conf\u00e9rant un r\u00f4le qui exc\u00e8de tr\u00e8s largement celui, traditionnel, qui consiste \u00e0 transmettre des informations narratives. La dimension sonore est \u00e9galement analys\u00e9e au niveau des bruits par Martin Barnier, qui souligne combien la bande-son de La Ligne Rouge contribue de mani\u00e8re quasi imperceptible mais n\u00e9anmoins d\u00e9cisive \u00e0 construire les espaces qu'habitent les personnages (mais aussi ceux dont ils sont habit\u00e9s) et \u00e0 poser une atmosph\u00e8re, c\u00e9dant peu aux effets d\u00e9monstratifs devenus caract\u00e9ristiques des films de guerre depuis la g\u00e9n\u00e9ralisation du multipiste. \r\n    Jouant avec les silences, les nappes de musique symphonique et le surgissement \u00e9nigmatique des voix, introduisant constamment des phases de suspension domin\u00e9es par l'it\u00e9ratif, Malick nous emporte dans le mouvement des cours d'eau qu'empruntent soldats et pionniers. Son cin\u00e9ma est \u00e0 la fois bavard puisque s'y enchev\u00eatrent constamment des voix-over (quoiqu'il s'agisse, justement, plus de voix et de \u00abgrains\u00bb que v\u00e9ritablement de paroles) et proche du cin\u00e9ma muet en raison d'un montage p\u00e9riodiquement affranchi de l'ancrage spatio-temporel induit par la voix synchrone. D\u00e8s Badlands (1973), ainsi que le montre Frank Steiger, la mise en sc\u00e8ne des prises de parole provoque une d\u00e9solidarisation d'avec les personnages, qui demeurent \u00e9trangers les uns aux autres et \u00e0 eux-m\u00eames, ali\u00e9n\u00e9s par l'appropriation involontaire de discours st\u00e9r\u00e9otyp\u00e9s. Au vu du traitement singulier accord\u00e9 par Malick \u00e0 une parole pouss\u00e9e aux limites de son inefficacit\u00e9, on pourrait avancer qu'il y a chez lui quelque chose du cin\u00e9ma de la fin des ann\u00e9es 1920, de cet id\u00e9al du film \u00absonore\u00bb (en opposition au \u00abparlant\u00bb) qu'ont momentan\u00e9ment nourri, \u00e0 l'\u00e9poque de la g\u00e9n\u00e9ralisation des talkies, certains th\u00e9oriciens marqu\u00e9s par le mod\u00e8le musicaliste.Si la relation de l'homme \u00e0 la nature est emprunt\u00e9e aux auteurs transcendantalistes tels que Thoreau, Whitman ou Emerson - tissu r\u00e9f\u00e9rentiel dont Fran\u00e7ois Bovier commente la richesse tout en soulignant les limites de l'appropriation par Malick de cet intertexte -, l'intrigue amoureuse demeure associ\u00e9e \u00e0 la r\u00e9cente popularisation propos\u00e9e par Walt Disney (Pocahontas, Mike Gabriel et Eric Goldberg, 1995).\r\n    En effet, comme le remarque la plupart des intervenants de ce dossier, les films de Malick menacent constamment de basculer dans le clich\u00e9 ou plut\u00f4t, pour inverser cette logique, proc\u00e8dent v\u00e9ritablement d'un traitement des clich\u00e9s qu'ils exhibent ou retravaillent. En ce sens, la r\u00e9f\u00e9rence \u00e0 un genre cin\u00e9matographique est avant tout le lieu d'insignes d\u00e9calages: La Ligne rouge fait glisser le film de guerre du c\u00f4t\u00e9 de la r\u00e9flexion philosophique; Le Nouveau Monde \u00e9chappe \u00e0 toute classification g\u00e9n\u00e9rique - m\u00eame si, comme le sugg\u00e8re Fran\u00e7ois Bovier, c'est peut-\u00eatre en termes de renouvellement du western qu'il faudrait l'appr\u00e9hender (comme tous ses films d'ailleurs); Badlands, road movie sanglant de type Bonnie and Clyde, ne s'inscrit pas tant dans l'effervescence du \u00abNew Hollywood\u00bb qu'il ne pr\u00e9sente, au travers d'une parole f\u00e9minine d\u00e9sinvolte et distanci\u00e9e, un James Dean de pacotille dont la repr\u00e9sentation sugg\u00e8re l'inanit\u00e9 des aspirations nostalgiques du moment. Quant \u00e0 Days of Heaven (1978), Malick y \u00e9touffe la veine m\u00e9lodramatique en d\u00e9pla\u00e7ant l'int\u00e9r\u00eat pour les personnages vers la nature qui les environne, ainsi que le montre Jean-Michel Durafour dans une optique \u00abfigurale\u00bb qui permet de prendre toute la mesure de l'exploitation par le cin\u00e9aste de la dimension purement sensorielle des images et des sons. \r\nLa rubrique \u00abcin\u00e9ma suisse\u00bb de ce num\u00e9ro est enti\u00e8rement consacr\u00e9e \u00e0 l'histoire de la production nationale, abord\u00e9e au travers d'objets filmiques de nature fort diff\u00e9rente. Claire-Lise Deblu\u00eb se penche sur deux films d'entreprise r\u00e9alis\u00e9s par l'OSEC (Office Suisse d'Expansion Commerciale) dont elle examine le contexte de production sur les plans \u00e9conomique et politique, articulant l'analyse des discours - elle d\u00e9montre combien la volont\u00e9 de rationalisation se situe au centre des r\u00e9flexions de l'OSEC sur le cin\u00e9ma - avec celle des films, ces derniers th\u00e9matisant pr\u00e9cis\u00e9ment au niveau formel des questions relatives \u00e0 la taylorisation. Exploitant des sources rares (versions successives des sc\u00e9narios, correspondance, etc.), Alexandra Walther \u00e9tudie quant \u00e0 elle la gen\u00e8se de La Suisse s'interroge, ensemble de courts m\u00e9trages r\u00e9alis\u00e9s par Henry Brandt \u00e0 l'occasion de l'Expo 64. Dans une optique conciliant une analyse fonctionnelle de type narratologique et une attention port\u00e9e tant aux dynamiques abstraites sous-tendant la trame filmique qu'\u00e0 leurs figurations concr\u00e8tes, Alain Freudiger revient sur l'une des oeuvres c\u00e9l\u00e8bres du Nouveau cin\u00e9ma suisse, Les Arpenteurs (1972) de Michel Soutter, pour en d\u00e9gager certains motifs r\u00e9currents et discuter les principes r\u00e9gissant leur d\u00e9ploiement. A l'issue de ces trois contributions qui offrent un regard in\u00e9dit sur des r\u00e9alisations helv\u00e9tiques, Pierre-Emmanuel Jaques rend compte d'une publication r\u00e9cente, l'Histoire du cin\u00e9ma suisse, 1966-2000. Dirig\u00e9 par Maria Tortajada et Herv\u00e9 Dumont, cet ouvrage somme est le r\u00e9sultat d'un travail collectif auquel plusieurs collaborateurs r\u00e9guliers de D\u00e9cadrages ont pris part. Il ne reste qu'\u00e0 esp\u00e9rer que la richesse des informations contenues dans ces deux volumes saura susciter des recherches dans un champ d'\u00e9tude auquel la rubrique r\u00e9guli\u00e8re de notre revue entend fournir une modeste contribution.","authors":["Collectif"],"category_codes":["6000000","6070000","6070300"],"visuals":{"large":"https:\/\/images.epagine.fr\/267\/9782970058267_1_75.jpg","medium":"https:\/\/images.epagine.fr\/267\/9782970058267_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/267\/9782970058267_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"10,00 \u20ac","formatted_published_date":"1er septembre 2007","publisher_availability_label":"Sur commande","short_details":"Collectif \u2014 Decadrages","translator":null,"weight":260,"page_count":120,"readership":null,"editor":"Decadrages","price":1000,"published_date":"2007-08-31T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782970058267\/decadrages-tome-11-terrence-malick"},{"id":"9782369801191","title":"La grande route par tous les temps","description":"Fr\u00e9d\u00e9ric Lecloux, sonnets et photographies R\u00e9cemment, cherchant \u00e0 identifier ce que je prends quand je dis que je prends une photographie, ces mots sont venus : une photographie, une de ces images qui existent en moi, sans que je sache ni o\u00f9 ni sous quels traits, jusqu'au moment o\u00f9 me fait signe une vibration dans le r\u00e9el - et scintille la d\u00e9coupe \u00e0 y op\u00e9rer pour que l'image prenne chair et s'apparie avec sa trace int\u00e9rieure, latente encore une seconde plus t\u00f4t. Dans les ann\u00e9es 1990 je photographiais en sonnets. Je ne l'ai pas su de suite. J'ai longtemps cru que je les \u00e9crivais. Que je les avais \u00e9crits. Mais non. Je les ai reconnus, vibrant dans le r\u00e9el, r\u00e9clamant d'\u00eatre appari\u00e9s avec leur trace int\u00e9rieure, et j'ai obtemp\u00e9r\u00e9, rien de plus. Je les ai recueillis, d\u00e9coup\u00e9s dans le paysage au long des routes et des rails, des Monts C\u00e9lestes \u00e0 l'Ardenne, d'Ostende \u00e0 Katmandou, de Bruxelles \u00e0 la vall\u00e9e de la Hunza. C'\u00e9tait il y a vingt-cinq ans, trente en comptant large - une paroi de temps. Quelques-uns l'ont travers\u00e9e. Des images (des photographies ?), n\u00e9es plus tard vers le lieu d'\u00e9criture de chaque sonnet, voudraient ouvrir des portes vers le dehors de ce qu'ils sont.","authors":["Fr\u00e9d\u00e9ric Lecloux"],"category_codes":["6000000","6070000","6070200","6070205"],"visuals":{"large":"https:\/\/images.epagine.fr\/191\/9782369801191_1_75.jpg","medium":"https:\/\/images.epagine.fr\/191\/9782369801191_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/191\/9782369801191_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"18,00 \u20ac","formatted_published_date":"30 juin 2017","publisher_availability_label":"Sur commande","short_details":"Fr\u00e9d\u00e9ric Lecloux \u2014 Arnaud Bizalion","translator":null,"weight":198,"page_count":132,"readership":null,"editor":"Arnaud Bizalion","price":1800,"published_date":"2017-06-29T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782369801191\/la-grande-route-par-tous-les-temps"},{"id":"9781590055519","title":"Michael Kenna calendar","description":null,"authors":["Michael Kenna"],"category_codes":["6000000","6070000","6070200","6070205"],"visuals":{"large":"https:\/\/images.epagine.fr\/519\/9781590055519_1_75.jpg","medium":"https:\/\/images.epagine.fr\/519\/9781590055519_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/519\/9781590055519_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"0,00 \u20ac","formatted_published_date":"1er ao\u00fbt 2022","publisher_availability_label":"Sur commande","short_details":"Michael Kenna \u2014 Nazraeli","translator":null,"weight":0,"page_count":null,"readership":null,"editor":"Nazraeli","price":0,"published_date":"2022-07-31T22:00:00.000000Z","support":"Calendrier","publisher_availability":1,"stock":0,"editions":["9781590056172"],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9781590055519\/michael-kenna-calendar"},{"id":"9791095821120","title":"Solidarit\u00e9s","description":"Comme chaque ann\u00e9e, Delpire \u00c9diteur s'associe avec Amnesty International pour publier son calendrier annuel. Cette ann\u00e9e, c'est la solidarit\u00e9 qui constitue le fil rouge. Aux quatre coins du monde, et depuis toujours, des hommes et des femmes s'engagent, autour de valeurs communes, pour d\u00e9fendre les droits fondamentaux : le droit de voter, de manger, d'avoir acc\u00e8s \u00e0 une \u00e9ducation, un toit et \u00e0 des soins, de pratiquer la religion de son choix, etc.\r\nProposant un voyage \u00e0 travers le monde et le temps, les 12 images de cette \u00e9dition posent une fois de plus, \u00e0 travers les regards plein de col\u00e8re ou d'empathie de grands photographes, la question du respect des droits de l'homme et de la dignit\u00e9 humaine.","authors":["Collectif"],"category_codes":["6000000","6070000","6070200","6070201"],"visuals":{"large":"https:\/\/images.epagine.fr\/120\/9791095821120_1_75.jpg","medium":"https:\/\/images.epagine.fr\/120\/9791095821120_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/120\/9791095821120_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"15,90 \u20ac","formatted_published_date":"7 septembre 2017","publisher_availability_label":"Sur commande","short_details":"Collectif \u2014 delpire & co","translator":null,"weight":458,"page_count":13,"readership":null,"editor":"delpire & co","price":1590,"published_date":"2017-09-06T22:00:00.000000Z","support":"Calendrier","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9791095821120\/solidarites"},{"id":"3663322068621","title":"L'avant-sc\u00e8ne cin\u00e9ma n.463 : les diaboliques","description":null,"authors":["L'Avant-Scene Cinema"],"category_codes":["6000000","6070000","6070300"],"visuals":{"large":"https:\/\/images.epagine.fr\/621\/3663322068621_1_75.jpg","medium":"https:\/\/images.epagine.fr\/621\/3663322068621_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/621\/3663322068621_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"13,50 \u20ac","formatted_published_date":"30 d\u00e9cembre 1999","publisher_availability_label":"Sur commande","short_details":"L'Avant-Scene Cinema \u2014 Alice Edition","translator":null,"weight":301,"page_count":100,"readership":null,"editor":"Alice Edition","price":1350,"published_date":"1999-12-29T23:00:00.000000Z","support":"Revue","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/3663322068621\/lavant-scene-cinema-n463-les-diaboliques"},{"id":"3663322068706","title":"L'avant-sc\u00e8ne cin\u00e9ma n.452 : homme tranquille","description":null,"authors":["L'Avant-Scene Cinema"],"category_codes":["6000000","6070000","6070300"],"visuals":{"large":"https:\/\/images.epagine.fr\/706\/3663322068706_1_75.jpg","medium":"https:\/\/images.epagine.fr\/706\/3663322068706_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/706\/3663322068706_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"13,50 \u20ac","formatted_published_date":"30 d\u00e9cembre 1999","publisher_availability_label":"Sur commande","short_details":"L'Avant-Scene Cinema \u2014 Alice Edition","translator":null,"weight":301,"page_count":100,"readership":null,"editor":"Alice Edition","price":1350,"published_date":"1999-12-29T23:00:00.000000Z","support":"Revue","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/3663322068706\/lavant-scene-cinema-n452-homme-tranquille"},{"id":"3663322068997","title":"L'avant-sc\u00e8ne cin\u00e9ma n.488 : la maladie de","description":null,"authors":["L'Avant-Scene Cinema"],"category_codes":["6000000","6070000","6070300"],"visuals":{"large":"https:\/\/images.epagine.fr\/997\/3663322068997_1_75.jpg","medium":"https:\/\/images.epagine.fr\/997\/3663322068997_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/997\/3663322068997_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"13,50 \u20ac","formatted_published_date":"30 d\u00e9cembre 1999","publisher_availability_label":"Sur commande","short_details":"L'Avant-Scene Cinema \u2014 Alice 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