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Cette insoumission au temps s'\u00e9tire sur une ann\u00e9e, entre deux 29 f\u00e9vrier. Il entreprend alors la cr\u00e9ation d'une oeuvre d'art, nomm\u00e9e Bissextil - publication quotidienne d'une photographie autocollante.  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Une forme qui aurait un pied dans le design et un autre dans l'onirique.\r","authors":["G.Goutal"],"category_codes":["6000000","6050000","6051000","6051002"],"visuals":{"large":"https:\/\/images.epagine.fr\/035\/9782919289035_1_75.jpg","medium":"https:\/\/images.epagine.fr\/035\/9782919289035_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/035\/9782919289035_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"13,00&nbsp;\u20ac","formatted_published_date":"15 mai 2011","publisher_availability_label":"Sur commande","short_details":"G.Goutal \u2014 Solo Ma Non Troppo","translator":null,"weight":119,"page_count":null,"readership":null,"editor":"Solo Ma Non Troppo","price":1300,"published_date":"2011-05-14T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782919289035\/le-dos-des-choses"},{"id":"9782919289073","title":"Tomber dans l'escalier","description":"Portraits psych\u00e9d\u00e9liques, ench\u00e2ss\u00e9s dans des diamants, croquis d'instantan\u00e9s et d'\u00e9ternit\u00e9.\r","authors":["J.Sturup"],"category_codes":["6000000","6050000","6051000","6051002"],"visuals":{"large":"https:\/\/images.epagine.fr\/073\/9782919289073_1_75.jpg","medium":"https:\/\/images.epagine.fr\/073\/9782919289073_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/073\/9782919289073_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"12,00&nbsp;\u20ac","formatted_published_date":"15 mars 2012","publisher_availability_label":"Sur commande","short_details":"J.Sturup \u2014 Solo Ma Non Troppo","translator":null,"weight":120,"page_count":null,"readership":null,"editor":"Solo Ma Non Troppo","price":1200,"published_date":"2012-03-14T23:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782919289073\/tomber-dans-lescalier"},{"id":"9782919289134","title":"Black sitar","description":"Dialogue graphique : Guillaume en couleur et Jos\u00e9 Maria en noir et blanc, sur 2 papier diff\u00e9rents.\r","authors":["J.Gonzalez"],"category_codes":["6000000","6050000","6051000","6051002"],"visuals":{"large":"https:\/\/images.epagine.fr\/134\/9782919289134_1_75.jpg","medium":"https:\/\/images.epagine.fr\/134\/9782919289134_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/134\/9782919289134_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"20,00&nbsp;\u20ac","formatted_published_date":"15 avril 2013","publisher_availability_label":"Sur commande","short_details":"J.Gonzalez \u2014 Solo Ma Non Troppo","translator":null,"weight":142,"page_count":null,"readership":null,"editor":"Solo Ma Non Troppo","price":2000,"published_date":"2013-04-14T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782919289134\/black-sitar"},{"id":"9782919289301","title":"Dessins pour rugir","description":"\u00c7a gueule et \u00e7a d\u00e9go\u00fbte \/ \u00e7a rougit comme la vie \/ \u00e7a rugit raide et rapide \/ \u00e7a saute de feuille en fil \/ et \u00e0 l'aiguille...\r","authors":["Virginie Rochetti"],"category_codes":["6000000","6050000","6051000","6051002"],"visuals":{"large":"https:\/\/images.epagine.fr\/301\/9782919289301_1_75.jpg","medium":"https:\/\/images.epagine.fr\/301\/9782919289301_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/301\/9782919289301_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"10,00&nbsp;\u20ac","formatted_published_date":"10 juin 2015","publisher_availability_label":"Sur commande","short_details":"Virginie Rochetti \u2014 Solo Ma Non Troppo","translator":null,"weight":65,"page_count":34,"readership":null,"editor":"Solo Ma Non Troppo","price":1000,"published_date":"2015-06-09T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782919289301\/dessins-pour-rugir"},{"id":"9782919289370","title":"Nouveaux monstres","description":"Quand ils sont en r\u00e9union ou au t\u00e9l\u00e9phone certains griffonnent, Jean Besc\u00f3s dessine des monstres. 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Apr\u00e8s plusieurs expositions \u00e0 New York, Londres et Paris, elle \u00e9pouse le peintre chilien, Alvaro Guevara. Lorsque Meraud quitte son mari pour un autre peintre, Alladine, sa fille de cinq ans, lui est retir\u00e9e par le grand-p\u00e8re, le banquier Benjamin Guinness, et confi\u00e9e \u00e0 Lady Eden, la belle-soeur d'Anthony Eden.\r\nAlladine ne retrouve ses parents que dix ans plus tard. Meraud, d\u00e9sh\u00e9rit\u00e9e par son p\u00e8re, habite alors \u00e0 Aix-en-Provence une b\u00e2tisse sans eau ni \u00e9lectricit\u00e9 o\u00f9 elle re\u00e7oit ses nombreux amis. Interrog\u00e9e \u00e0 la radio \u00e0 propos de l'un d'eux - l'\u00e9crivain Charles-Albert Cingria - Meraud explique : \" La conversation de Cingria \u00e9tait si brillante que j'avais l'impression que des joyaux tombaient de sa bouche et que tous ces joyaux tombaient sur la modeste petite table en bois blanc et s'\u00e9parpillaient sur le sol et partout dans ma cuisine, et je me consid\u00e9rais la femme la plus riche du monde, car qui d'autre aurait pu se payer un tel luxe ? 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Paul, Lo\u00fb, No\u00e9mie, Akmair, l'\u00e9trang\u00e8re et l'homme bleu vont jusqu'au bout de leur logique les poss\u00e8de, taraud\u00e9s par l'ambition, le d\u00e9sir, le sacrifice, le pouvoir ou l'amour. Leur inextinguible \u00e9nergie les conduit \u00e0 toucher des extr\u00eames qui oscillent entre abn\u00e9gation et barbarie. Certains passages du recueil en portent la marque et peuvent para\u00eetre, \u00e0 ce titre, particuli\u00e8rement \u00e9difiants. M\u00eame si la r\u00e9alit\u00e9 d\u00e9passe toujours l'imagination dans ce domaine. H\u00e9las ! Ce compagnonnage avec l'homme face \u00e0 lui-m\u00eame met \u00e0 nu nos consciences, livr\u00e9es \u00e0 la pure noblesse et \u00e0 la pire violence des sentiments.\r","authors":["Philippe Parrot","Sandra Savajano"],"category_codes":["6000000","6050000"],"visuals":{"large":"https:\/\/images.epagine.fr\/015\/9782919760015_1_75.jpg","medium":"https:\/\/images.epagine.fr\/015\/9782919760015_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/015\/9782919760015_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"16,00&nbsp;\u20ac","formatted_published_date":"22 novembre 2010","publisher_availability_label":"Sur commande","short_details":"Philippe Parrot, Sandra Savajano \u2014 Qui Lit Vit","translator":null,"weight":300,"page_count":null,"readership":null,"editor":"Qui Lit Vit","price":1600,"published_date":"2010-11-21T23:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782919760015\/s-com-hom"},{"id":"9782271065100","title":"Le chant des serpents ; musiciens itin\u00e9rants du Kerala","description":"Officiants de rituels domestiques, chanteurs au porte-\u00e0-porte, contractuels \u00e0 la radio d'etat, intervenants dans les colloques de musicologie indienne...\r\n Les musiciens itin\u00e9rants du kerala (inde du sud) pratiquent leur art selon des codes mouvants, riches, inventifs, sans cesse red\u00e9finis en fonction des commanditaires, des lieux et des circonstances. les \" services musicaux \" qu'ils offrent aux familles de haut statut visent \u00e0 traiter les maux et les infortunes. du fait m\u00eame de leur mobilit\u00e9, ils sont au coeur des r\u00e9seaux de patronage qui caract\u00e9risent la soci\u00e9t\u00e9 indienne.\r\n Christine guillebaud a suivi ces artistes \" nomades \" dont l'expression musicale emprunte aux formes populaires et sacr\u00e9es, m\u00ealant instruments, images, concepts, danses, voix, divinit\u00e9s. une enqu\u00eate passionnante qui permet de comprendre in situ le processus de cr\u00e9ation du \" chant des serpents \".\r","authors":["Christine Guillebaud"],"category_codes":["9000000","9010000"],"visuals":{"large":"https:\/\/images.epagine.fr\/100\/9782271065100_1_75.jpg","medium":"https:\/\/images.epagine.fr\/100\/9782271065100_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/100\/9782271065100_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"35,00&nbsp;\u20ac","formatted_published_date":"3 juillet 2008","publisher_availability_label":"Sur commande","short_details":"Christine Guillebaud \u2014 CNRS","translator":null,"weight":573,"page_count":383,"readership":null,"editor":"CNRS","price":3500,"published_date":"2008-07-02T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782271065100\/le-chant-des-serpents-musiciens-itinerants-du-kerala"},{"id":"9782919542000","title":"Le bestiaire de Moya","description":"Un cahier de 51 dessins originaux et une vignette : \"... tout ce qui est possible avec deux yeux, une langue et deux oreilles, et parfois des cornes et des ailes.\" (Patrick Moya)\r","authors":["Patrick Moya"],"category_codes":["6000000","6050000"],"visuals":{"large":"https:\/\/images.epagine.fr\/000\/9782919542000_1_75.jpg","medium":"https:\/\/images.epagine.fr\/000\/9782919542000_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/000\/9782919542000_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"28,00&nbsp;\u20ac","formatted_published_date":"31 mars 2011","publisher_availability_label":"Sur commande","short_details":"Patrick Moya \u2014 Les Cahiers De La Huppe","translator":null,"weight":200,"page_count":64,"readership":null,"editor":"Les Cahiers De La Huppe","price":2800,"published_date":"2011-03-30T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782919542000\/le-bestiaire-de-moya"},{"id":"9782930701042","title":"Passe-montagnes - 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t01 - l'atelier vervoort - un chemin dans la pierre - tome 1","description":null,"authors":["Bao","A R L"],"category_codes":["6000000","6050000","6051000"],"visuals":{"large":"https:\/\/quaidesbrumes.com\/img\/book-placeholder.png","medium":"https:\/\/quaidesbrumes.com\/img\/book-placeholder.png","thumbnail":"https:\/\/quaidesbrumes.com\/img\/book-placeholder.png"},"orderable":true,"show_badge":true,"formatted_price":"25,00&nbsp;\u20ac","formatted_published_date":"31 d\u00e9cembre 2024","publisher_availability_label":"Sur commande","short_details":"Bao, A R L \u2014 Les \u00c9ditions du Vide","translator":null,"weight":280,"page_count":null,"readership":null,"editor":"Les \u00c9ditions du Vide","price":2500,"published_date":"2024-12-30T23:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782930701110\/un-chemin-dans-la-pierre-t01-latelier-vervoort-un-chemin-dans-la-pierre-tome-1"},{"id":"9782930754116","title":"\u00c9cran","description":"\u00c9cran est une collection de dessins r\u00e9alis\u00e9s sur des sous-bocks, accompagn\u00e9s d'un texte du critique d'art et \u00e9crivain Koen Brams.\r\n\r\nIl s'agit donc d'une rencontre entre l'artiste et l'\u00e9crivain, et l'un et l'autre nous offrent des histoires sur un m\u00eame sujet, d\u00e9clin\u00e9 en images et en prose. Les images ont \u00e9t\u00e9 vol\u00e9es par Charlotte Beaudry sur les r\u00e9seaux sociaux. Les histoires ont \u00e9t\u00e9 imagin\u00e9es par Koen Brams et nous introduisent dans l'univers suggestif, po\u00e9tique, \u00e9vocateur de l'artiste.\r\n\r\nL'ensemble fonctionne comme un carnet de travail, sans autre but que de s'approprier des images aim\u00e9es. Et qu'importe si, parfois, le spectateur se dit que tel ou tel dessin aurait pu devenir le motif principal d'une peinture grand format. D'une peinture s\u00e9rieuse. Quand on vole, c'est d'un clignement de paupi\u00e8res et d'un battement d'ailes, loin des toiles g\u00e9antes, leur b\u00e9ance, leur torpeur ravageuse.\r\n\r\nLa pr\u00e9datrice Charlotte Beaudry, ravisseuse de selfies de son \u00e9tat, op\u00e8re principalement sur Instagram et Facebook, fascin\u00e9e par le narcissisme d\u00e9complex\u00e9 de ces clich\u00e9s, \u00e0 la fois outil de communication et de reconnaissance sociale sur internet : selfie duck face (la bouche en bec de canard) ; selfie miroir ; legsie (montrant ses jambes nues \u00e9tendues) ; cadr\u00e9s sur les cheveux (helfie), ou la poitrine f\u00e9minine (breastie), vue de fesse (belfie) ; objets sur une \u00e9tag\u00e8re (shelfie) ; selfie de groupe (group selfies) ou d'animaux, ils ont m\u00eame leur article sur Wikip\u00e9dia (https:\/\/fr.wikipedia.org\/wiki\/Selfie).\r\n\r\nFruits de fantasmes devenus \u00e0 leur tour objets de fantasmes, ces photos sur l'\u00e9cran sont vues, regard\u00e9es, d\u00e9vor\u00e9es du regard et pass\u00e9es au crayon des pens\u00e9es de Charlotte Beaudry. Qui a commenc\u00e9 \u00e0 les dessiner sur des sous-bocks en choisissant, parfois, juste un d\u00e9tail. Dessiner pour voir autrement. Dessiner pour appr\u00e9hender, pour conna\u00eetre.\r\n\r\nPour d\u00e9couvrir, derri\u00e8re ces filles des selfies, ces instagirls d'Instagram, des filigranes sur le fil du rasoir, des reflets d'apparences r\u00eav\u00e9es, des \u00eatres cass\u00e9s, des paranoids (parano\u00efaques), poss\u00e9d\u00e9es d'un trouble mental manifest\u00e9 par des difficult\u00e9s relationnelles, des troubles du comportement tels que communiquer ne peut se faire que par le biais de ses propres images sur les r\u00e9seaux sociaux.\r\n\r\nMais, bien que le format circulaire des sous-bocks soit le m\u00eame que celui des photos de profil d'Instagram, ces images sorties de leur contexte - et de leurs gonds - ne d\u00e9voilent pas que les mis\u00e8res sentimentales et relationnelles de l'humain : elles passent de l'autre c\u00f4t\u00e9 du miroir pour raconter de nouvelles histoires, images e-n\u00e9es et fantasm\u00e9es par l'artiste, par l'\u00e9crivain et par le spectateur, vagabonds heureux d'un r\u00e9cit, m\u00eame fictif, surtout fictif. Car, quel que soit le sens dans lequel on place son sous-bock, le sens dessus dessous n'est, finalement, qu'une question de point de vue. 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