{"data":[{"id":"9791090875340","title":"Le cahier dessin\u00e9 n.11","description":"L'aventure du dessin se poursuit? : la couleur se fait trait et le trait se fait couleur. Vincent Van Gogh \u00e9crivait? : \u00ab ?Le vrai dessin, c'est de modeler avec la couleur.? \u00bb Dessin? ? Peinture? ? Entre ces deux arts longtemps oppos\u00e9s, la conversation se poursuit n\u00e9anmoins. Dans ce num\u00e9ro, elle bat son plein. Autour du portrait, autour du paysage. Elle r\u00e9unit des artistes qui ne se connaissent pas et que tout pourrait opposer. Ils sont d'ici et d'ailleurs, de Norv\u00e8ge, d'Allemagne, des Pays-Bas, de Russie. Pour la plupart, ils n'exposent pas, ou peu, sinon dans des lieux confidentiels, dans leur atelier ou leur appartement. Combien de galeries et de mus\u00e9es les ont-ils oubli\u00e9s? ? Sous pr\u00e9texte de rentabilit\u00e9, ils ont perdu beaucoup de leur audace. Comment, d\u00e8s lors, appr\u00e9cier la cr\u00e9ativit\u00e9 des dessinateurs d'aujourd'hui? ? Ce num\u00e9ro du Cahier dessin\u00e9 se propose de mettre certains d'entre eux en lumi\u00e8re, modestement, en attendant des jours plus g\u00e9n\u00e9reux.","authors":["Collectif"],"category_codes":["6000000","6050000","6051000","6051002"],"visuals":{"large":"https:\/\/images.epagine.fr\/340\/9791090875340_1_75.jpg","medium":"https:\/\/images.epagine.fr\/340\/9791090875340_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/340\/9791090875340_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"45,00 \u20ac","formatted_published_date":"15 avril 2016","publisher_availability_label":"Sur commande","short_details":"Collectif \u2014 Cahiers Dessines","translator":null,"weight":1860,"page_count":null,"readership":null,"editor":"Cahiers Dessines","price":4500,"published_date":"2016-04-14T22:00:00.000000Z","support":"Revue","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9791090875340\/le-cahier-dessine-n11"},{"id":"9791095991151","title":"Revue faire, regarder le graphisme : coffert vol.5 : n.16 \u00e0 n.18","description":"Les num\u00e9ros 16 \u00e0 18 (saison 2) de la revue critique consacr\u00e9e au graphisme.\r\nN\u00b0 16 - Une reproduction : Ce que veut El Lissitzky. Auteur : James Langdon  Je suis rarement satisfait quand je vois une production graphique imprim\u00e9e \u00e0 l'origine dans deux encres reproduite en quadrichromie. Avant l'av\u00e8nement commercial de l'impression offset, les couleurs \u00e9l\u00e9mentaires d'impression - de Gutenberg \u00e0 Tschichold - \u00e9taient le noir et le rouge. Au d\u00e9but du XXe si\u00e8cle, les graphistes utilisaient le noir et le rouge non pas pour tenter de recr\u00e9er le spectre de couleurs reconnu par l'oeil humain, mais bien pour donner un impact graphique singulier. Pour faire la distinction. Pour cr\u00e9er du dynamisme. Incarner une id\u00e9ologie dans la page. En particulier, la combinaison de noir et de rouge sur du papier blanc est devenue synonyme du Supr\u00e9matisme et du graphisme r\u00e9volutionnaire russe.\r\nLes proc\u00e9d\u00e9s de traitement d'image contemporains peuvent permettre des reproductions extraordinaires de cette esth\u00e9tique historique. Une photo num\u00e9rique haute r\u00e9solution d'un livre original imprim\u00e9 en noir et rouge des ann\u00e9es 1920 peut \u00eatre trait\u00e9e \u00e0 l'aide d'un profil de couleur afin de calibrer son apparence \u00e0 chacune des \u00e9tapes de travail : la correction des couleurs dans les logiciels, l'\u00e9preuvage et l'impression. Cette m\u00e9thode de travail permet finalement d'obtenir une image belle et pr\u00e9cise de cet artefact graphique tel qu'il se pr\u00e9sente aujourd'hui, jusqu'aux d\u00e9tails les plus fins de sa patine, de sa d\u00e9coloration due \u00e0 l'exposition au soleil et aux nombreuses autres subtilit\u00e9s qui le d\u00e9finissent comme un objet d'archives.\r\nMais une telle reproduction pr\u00e9sente un \u00e9trange anachronisme technique. Qu'en est-il des contraintes qui ont \u00e0 l'origine fa\u00e7onn\u00e9 la conception de ce livre - le lien implicite entre les deux couleurs de son graphisme et l'architecture de la presse \u00e0 une ou deux couleurs sur laquelle il a \u00e9t\u00e9 imprim\u00e9?? Ne sont-elles pas importantes?? Peuvent-elles \u00eatre reproduites??\r\nJe compare ici les reproductions imprim\u00e9es de l'iconique couverture noire et rouge du livre Die Kunstismen (1925), con\u00e7u par le russe El Lissitzky. Publi\u00e9es entre 1967 et 2017, ces images traitent des caract\u00e9ristiques mat\u00e9rielles de la couleur du livre original de diff\u00e9rentes mani\u00e8res, faisant appel \u00e0 des notions contradictoires de fid\u00e9lit\u00e9. \r\n\r\nN\u00b0 17 - Un acronyme : ACAB. Auteurs : Ariane Bosshard, J\u00e9r\u00f4me Dupeyrat, Olivier Huz et Julie Martin  L'acronyme ACAB, souvent vu dans l'espace urbain sous forme de graffitis ou de stickers, est apparu au Royaume-Uni dans les ann\u00e9es 1970 en lien avec la culture punk, et y a \u00e9t\u00e9 popularis\u00e9 lors des mouvements sociaux des ann\u00e9es 1980. Signifiant \u00ab All Cops Are Bastards \u00bb, il s'est largement r\u00e9pandu dans l'espace public international ces vingt derni\u00e8res ann\u00e9es, dans le sillage de diverses mouvances politiques, de l'altermondialisme aux gilets jaunes en passant par le black bloc et les ZAD, et en faisant \u00e9galement l'objet de diverses variantes telles que \u00ab All Capitalists Are Bastards \u00bb, \u00ab All Colors Are Beautiful \u00bb ou encore \u00ab All Cats Are Beautiful \u00bb.\r\nObserver les inscriptions ACAB (ou 1312, en version chiffr\u00e9e) permet de traverser de multiples terrains politiques, mais aussi plusieurs cultures visuelles (anar, punk, hip-hop, LOL) parmi lesquelles migre cet acronyme. C'est au cours de cette circulation scripturale, graphique et visuelle qu'il devient \u00e0 la fois un signe de reconnaissance et un \u00e9nonc\u00e9 polys\u00e9mique.\r\n\r\nN\u00b0 18 - Une visite d'atelier : le studio d'Ines Cox. Auteures : Manon Bruet et Julia Andr\u00e9one Trois femmes entrent dans un bar. La premi\u00e8re vit dans un grand appartement \u00e0 Anvers, en Belgique. La seconde est une graphiste ind\u00e9pendante qui a fond\u00e9 son propre studio. La troisi\u00e8me est un avatar - vous la connaissez peut-\u00eatre - qui a un int\u00e9r\u00eat certain pour les proc\u00e9d\u00e9s cr\u00e9atifs, les interfaces et leurs vocabulaires. Ensemble, elles mangent des pistaches, commandent des vodkas et ne sont pas s\u00fbres de pouvoir se lever pour donner cours le lendemain \u00e0 la Royal Academy of Fine Arts. Mais ensemble, elles forment surtout la troublante personnalit\u00e9 multiple d'Ines Cox, graphiste belge que Julia Andr\u00e9one et Manon Bruet sont all\u00e9es rencontrer dans son atelier en juin 2019. L'occasion de mener un r\u00e9cit \u00e0 trois voix et de dessiner les contours d'un parcours, d'une pratique et d'un personnage.\r\n\r\nFaire - Regarder le graphisme est une revue critique bimensuelle consacr\u00e9e au design graphique, qui para\u00eet en librairie tous les deux mois sous la forme de recueils de trois ou quatre num\u00e9ros. Edit\u00e9e par Empire, la maison d'\u00e9dition du studio Syndicat, elle parait d'octobre \u00e0 juin et s'adresse aussi bien aux \u00e9tudiants qu'aux chercheurs et aux professionnels, en documentant les pratiques contemporaines et internationales du graphisme ainsi que l'histoire et la grammaire des styles. Chaque num\u00e9ro propose un sujet unique et tentaculaire, trait\u00e9 par un auteur reconnu.\r\n\r\n\u00ab Les revues critiques d\u00e9di\u00e9es \u00e0 l'analyse du design graphique sont malheureusement trop peu nombreuses aujourd'hui, particuli\u00e8rement en France mais aussi en Europe. Engag\u00e9s dans une posture analytique et critique des formes et activit\u00e9s du graphisme, Sacha L\u00e9opold et Fran\u00e7ois Havegeer souhaitent mener une revue imprim\u00e9e sur ces pratiques, en agissant avec sept auteurs (Lise Brosseau, Manon Bruet, Thierry Chancogne, C\u00e9line Chazalviel, J\u00e9r\u00f4me Dupeyrat, Catherine Guiral et \u00c9tienne Hervy). Ce choix restreint, li\u00e9 \u00e0 la volont\u00e9 de proposer une exp\u00e9rience au sein d'un groupe ayant d\u00e9j\u00e0 men\u00e9 des projets communs, permettra d'inclure des auteurs internationaux la deuxi\u00e8me ann\u00e9e. \u00bb","authors":["Collectif"],"category_codes":["6000000","6050000","6051000"],"visuals":{"large":"https:\/\/images.epagine.fr\/151\/9791095991151_1_75.jpg","medium":"https:\/\/images.epagine.fr\/151\/9791095991151_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/151\/9791095991151_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"20,00 \u20ac","formatted_published_date":"4 d\u00e9cembre 2019","publisher_availability_label":"Sur commande","short_details":"Collectif \u2014 Empire","translator":null,"weight":340,"page_count":60,"readership":null,"editor":"Empire","price":2000,"published_date":"2019-12-03T23:00:00.000000Z","support":"Revue","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9791095991151\/revue-faire-regarder-le-graphisme-coffert-vol5-n16-a-n18"},{"id":"9791095991403","title":"Revue faire, regarder le graphisme n.35-37 : an eye : the artists' gaze on the modern world from 1911 to 1938","description":"Les num\u00e9ros 35 \u00e0 37 de la revue critique consacr\u00e9e au graphisme.\r\nN\u00ba 35 - Un oeil?: le regard des artistes sur le monde moderne 1911-1938.\r\nAuteure?: Sonia de Puineuf.\r\n\r\nDans la production graphique des artistes modernes appara\u00eet de fa\u00e7on r\u00e9currente l'image de l'oeil. Celui-ci est souvent trait\u00e9 comme motif autonome, d\u00e9tach\u00e9 du reste du visage, de surcro\u00eet combin\u00e9 aux inscriptions et signes typographiques. Ces oeuvres sont alors \u00e0 comprendre comme une mise en sc\u00e8ne (ou mise en pages) du regard.\r\nDe l'affiche pour l'Exposition internationale de l'Hygi\u00e8ne \u00e0 Dresde dessin\u00e9e par le Munichois Franz von Stuck (1911) \u00e0 la couverture du livre \u00c9criture et photographie dans la publicit\u00e9 photo-mont\u00e9e par le Tch\u00e8que Zdenek Rossmann (1938), en passant par l'iconoclaste L'oeil cacodylate de Francis Picabia (1921) qui est une peinture sans peinture, ce riche corpus t\u00e9moigne d'une \u00e9volution notable de sensibilit\u00e9 au sein de l'avant-garde et d'un questionnement sur la justesse de la vision de l'artiste confront\u00e9 aux \u00e9volutions technologiques du monde moderne.\r\n\r\nN\u00ba 36 - La photographie suspendue?: Herbert Bayer.\r\nAuteur?: Remi Parcollet.\r\n\r\nLa tendance consistant \u00e0 spatialiser la photo-graphie, et plus sp\u00e9cifiquement la photographie documentaire, s'affirme clairement en 1951 \u00e0 travers les expositions?: The New Landscape de Gy\u00f6rgy Kepes au Massachusetts Institute of Technology, Architettura, misura dell'uomo (IXe Triennale de Milan) d'Ernesto N. Rogers, Vittorio Gregotti et Giotto Stoppino, et en 1953 Parallel of Life and Art \u00e0 l'Institute of Contem-porary Art (ICA) de Londres. Les documentations de ces trois \u00ab?displays?\u00bb jouent un r\u00f4le essentiel sur l'\u00e9volution des modes de monstration de la photographie. Elles viennent, comme celles des expositions du MoMA mises en espace par Herbert Bayer, Road to Victory et Airway to Peace, alimenter la r\u00e9flexion qui se d\u00e9veloppe magistralement dans l'ouvrage Display de George Nelson, publi\u00e9 en 1956.\r\nBayer con\u00e7oit l'exposition moderne \u00e0 partir des principes de la New Vision, selon lui elle ne doit pas tenir le spectateur \u00e0 distance mais l'accompagner et l'englober. En 1961, il compile ses id\u00e9es sur la conception des expositions dans un article, Aspect du design des expositions et des mus\u00e9es, et prend pour r\u00e9f\u00e9rence l'exposition de l'Obmokhou \u00e0 Moscou en 1921, o\u00f9 il observe \u00e0 travers sa documentation visuelle \u00ab?qu'une \u00e9limination radicale de l'inessentiel a eu lieu?\u00bb r\u00e9sultant d'une recherche de la l\u00e9g\u00e8ret\u00e9 et de l'apesanteur avec un minimum d'utilisation de mati\u00e8re. Il consid\u00e8re alors qu'il faut?: \u00ab?\u00e9liminer tous les \u00e9l\u00e9ments, structurels et autres, susceptibles de nuire ou d'interf\u00e9rer avec les images elles-m\u00eames. La solution ultime de ce train de pens\u00e9e serait l'affichage cr\u00e9\u00e9 sans aucun effort mat\u00e9riel ou support visible, plac\u00e9 en l'air??[...]?\u00bb.\r\n\r\nN\u00ba 37 - Un polygraphe?: George Nelson.\r\nAuteure?: Catherine Geel.\r\n\r\nGeorge Nelson (1908-1986), designer fonctionnaliste am\u00e9ricain aux cr\u00e9ations lisses, mais aux manifestations, textuelles et visuelles complexes est un cas particulier du modernisme am\u00e9ricain, ce que sugg\u00e8rent les titres de ses productions?: A Problem of Design: How to Kill People (1960), Requiem (1960) ou Elegy in the Junk Yard (1961) indiquent. Pourquoi malgr\u00e9 une production \u00e9crite consid\u00e9rable, Nelson n'est-il pas identifi\u00e9 comme critique ou \u00e9crivain??","authors":["Collectif"],"category_codes":["6000000","6050000","6051000","6051001"],"visuals":{"large":"https:\/\/images.epagine.fr\/403\/9791095991403_1_75.jpg","medium":"https:\/\/images.epagine.fr\/403\/9791095991403_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/403\/9791095991403_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"21,00 \u20ac","formatted_published_date":"28 mars 2022","publisher_availability_label":"Sur commande","short_details":"Collectif \u2014 Empire","translator":null,"weight":310,"page_count":72,"readership":null,"editor":"Empire","price":2100,"published_date":"2022-03-27T22:00:00.000000Z","support":"Revue","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9791095991403\/revue-faire-regarder-le-graphisme-n35-37-an-eye-the-artists-gaze-on-the-modern-world-from-1911-to-1938"},{"id":"9791095991458","title":"Revue faire, regarder le graphisme n.49 : Lawrence Weiner","description":"Les graphistes ont toujours \u00e9t\u00e9 fascin\u00e9s par la mani\u00e8re dont Lawrence Weiner fait usage du design graphique. \u00abCe qui rend le travail de Weiner si s\u00e9duisant aux yeux des graphistes, c'est sa m\u00e9thode r\u00e9solument assum\u00e9e d'exposer des mots sans aucun besoin d'explications.*\u00bb Ce texte r\u00e9alise n\u00e9anmoins une analyse comparative de diff\u00e9rentes voix \u00e9voquant l'usage que fait Weiner du graphisme et de la typographie.","authors":["Collectif"],"category_codes":["6000000","6050000","6050400"],"visuals":{"large":"https:\/\/images.epagine.fr\/458\/9791095991458_1_75.jpg","medium":"https:\/\/images.epagine.fr\/458\/9791095991458_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/458\/9791095991458_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"10,00 \u20ac","formatted_published_date":"17 f\u00e9vrier 2025","publisher_availability_label":"Sur commande","short_details":"Collectif \u2014 Empire","translator":null,"weight":280,"page_count":62,"readership":null,"editor":"Empire","price":1000,"published_date":"2025-02-16T23:00:00.000000Z","support":"Revue","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9791095991458\/revue-faire-regarder-le-graphisme-n49-lawrence-weiner"},{"id":"9791095991465","title":"Revue faire, regarder le graphisme n.50 : Un site : Palais de la ma\u00e7onnerie typographique","description":"\u00c0 travers quatre \u00e9changes \u00e9pistolaires, Thierry Chancogne et Richard Niessen abordent les principes et le enjeux du Palais de la ma\u00e7onnerie typographique, projet initi\u00e9 en 2014 par le graphiste n\u00e9erlandais comme une architecture imaginaire enti\u00e8rement consacr\u00e9e \u00e0 la vari\u00e9t\u00e9, \u00e0 l'abondance, aux digressions et \u00e0 la po\u00e9sie des expressions graphiques.","authors":["Collectif"],"category_codes":["6000000","6050000","6051000","6051003"],"visuals":{"large":"https:\/\/images.epagine.fr\/465\/9791095991465_1_75.jpg","medium":"https:\/\/images.epagine.fr\/465\/9791095991465_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/465\/9791095991465_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"10,00 \u20ac","formatted_published_date":"17 f\u00e9vrier 2025","publisher_availability_label":"Sur commande","short_details":"Collectif \u2014 Empire","translator":null,"weight":286,"page_count":60,"readership":"Tout public","editor":"Empire","price":1000,"published_date":"2025-02-16T23:00:00.000000Z","support":"Revue","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9791095991465\/revue-faire-regarder-le-graphisme-n50-un-site-palais-de-la-maconnerie-typographique"},{"id":"9782351250303","title":"Peinture flamande et hollandaise ; XVe-XVIIIe si\u00e8cle","description":"Le mus\u00e9e des Beaux-Arts de Strasbourg rec\u00e8le pr\u00e8s de 200 peintures flamandes et hollandaises du XVe au XVIIIe si\u00e8cle et repr\u00e9sente l'un des ensembles les plus prestigieux conserv\u00e9s dans un mus\u00e9e fran\u00e7ais. \r\nLe catalogue, qui reproduit nombreux chefs-d'oeuvre d'artistes tels que Hans Memling, Lucas de Leyde, Willem Kalf, Jacob van Ruisdael, Emanuel de Witte, Pierre Paul Rubens, Antoine van Dyck, Jacob Jordaens, Michael Sweerts, propose un \u00e9clairage historique sur la constitution franco-allemande de la collection ainsi qu' un approfondissement par l'analyse stylistique et iconographique des oeuvres pr\u00e9sent\u00e9es.","authors":["Collectif"],"category_codes":["6000000","6050000","6050300"],"visuals":{"large":"https:\/\/images.epagine.fr\/303\/9782351250303_1_75.jpg","medium":"https:\/\/images.epagine.fr\/303\/9782351250303_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/303\/9782351250303_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"35,00 \u20ac","formatted_published_date":"26 f\u00e9vrier 2009","publisher_availability_label":"Sur commande","short_details":"Collectif \u2014 Musees Strasbourg","translator":null,"weight":1324,"page_count":320,"readership":null,"editor":"Musees Strasbourg","price":3500,"published_date":"2009-02-25T23:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782351250303\/peinture-flamande-et-hollandaise-xve-xviiie-siecle"},{"id":"9782847424744","title":"Diane en son paradis d'Anet : tapisseries et vitraux de l'histoire de Diane du ch\u00e2teau d'Anet","description":"Diane de Poitiers (1500-1566), veuve de Louis de Br\u00e9z\u00e9 et favorite du roi Henri II, fait b\u00e2tir avec l'appui d'un amant de vingt ans son cadet et le concours des artistes de Fontainebleau le ch\u00e2teau d'Anet, chef d'oeuvre de l'architecture de la Renaissance fran\u00e7aise.\r\nMais c'est cette autre Diane, la chasseresse des Anciens, vive et farouche, dont la superbe figure co\u00efncide si bien avec celle de la ma\u00eetresse des lieux, qui appara\u00eet dans les deux principaux cycles narratifs du ch\u00e2teau : celui d'une c\u00e9l\u00e8bre tenture de tapisseries en onze pi\u00e8ces, et celui des vitraux en \u00e9mail blanc qui occupaient les fen\u00eatres du premier \u00e9tage, notamment celles de l'appartement du roi.\r\nCe livre, qui conjugue et accorde les recherches de cinq historiens (de la litt\u00e9rature, du dessin, de la peinture et du vitrail), s'attache \u00e0 ces deux ensembles, les reconstitue, en examine les sources et en \u00e9value la port\u00e9e. Il r\u00e9v\u00e8le le programme des tapisseries, sonde sa ma\u00eetrise des humanit\u00e9s, prend en compte sa date plus pr\u00e9coce qu'on ne le pensait - 1547 - et donne le nom de son auteur, le po\u00e8te Jacques de Vintimille, habile pr\u00e9curseur de la Pl\u00e9iade. L'ouvrage montre aussi qu'un peintre de l'\u00e9cole de Fontainebleau, Charles Carmoy, collaborateur de Primatice que Rabelais avait pris soin de mentionner dans son Pantagruel, dut en donner les dessins et les cartons.\r\nL'examen de toutes ces oeuvres signale que, dans les vitraux comme dans les tapisseries, l'histoire et le mythe prenaient place au coeur d'un dispositif chiffr\u00e9, h\u00e9raldique, embl\u00e9matique et po\u00e9tique qui permettait \u00e0 Diane de Poitiers de rev\u00eatir, au b\u00e9n\u00e9fice de son roi, la panoplie esth\u00e9tique et symbolique de la d\u00e9esse.","authors":["Luisa Capodieci","Collectif","Dominique Cordellier"],"category_codes":["6000000","6050000","6050700","6050704"],"visuals":{"large":"https:\/\/images.epagine.fr\/744\/9782847424744_1_75.jpg","medium":"https:\/\/images.epagine.fr\/744\/9782847424744_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/744\/9782847424744_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"35,00 \u20ac","formatted_published_date":"4 novembre 2021","publisher_availability_label":"Sur commande","short_details":"Luisa Capodieci, Collectif, Dominique Cordellier \u2014 Le Passage","translator":null,"weight":1173,"page_count":253,"readership":null,"editor":"Le Passage","price":3500,"published_date":"2021-11-03T23:00:00.000000Z","support":"Beaux-livres","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782847424744\/diane-en-son-paradis-danet-tapisseries-et-vitraux-de-lhistoire-de-diane-du-chateau-danet"},{"id":"9782359882148","title":"Les nymph\u00e9as de Claude Monet japonais","description":null,"authors":["Anette Robinson"],"category_codes":["6000000","6050000","6050700","6050707"],"visuals":{"large":"https:\/\/images.epagine.fr\/148\/9782359882148_1_75.jpg","medium":"https:\/\/images.epagine.fr\/148\/9782359882148_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/148\/9782359882148_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"9,90 \u20ac","formatted_published_date":"16 mai 2019","publisher_availability_label":"Sur commande","short_details":"Anette Robinson \u2014 Nouvelles \u00e9ditions Scala","translator":null,"weight":220,"page_count":null,"readership":null,"editor":"Nouvelles \u00e9ditions Scala","price":990,"published_date":"2019-05-15T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782359882148\/les-nympheas-de-claude-monet-japonais"},{"id":"9782362220661","title":"Pierre Wema\u00ebre : vibrations de la nature","description":"Pierre Wema\u00ebre avait \u00e9tabli son atelier aux abords  du parc de Versailles. Ses cr\u00e9ations, \u00e0 la fois explosives  et raffin\u00e9es, apparaissent souvent comme l'incarnation  d'un dialogue singulier avec la nature ; comme le fruit  d'\u00e9changes empiriques, patients, toujours subtils et  constamment \u00e9blouis, avec les \u00e9l\u00e9ments et l'univers. \r\nL'artiste c\u00e9l\u00e8bre les h\u00e9sitations de la lumi\u00e8re, le souffle  du vent sur les frondaisons, l'efflorescence v\u00e9g\u00e9tale, la  force tellurique, la fluidit\u00e9 aquatique... \r\n\r\nCes vibrations de la nature dans l'oeuvre de  Pierre Wema\u00ebre, relev\u00e9es d\u00e8s 1957 par Christian  Dotremont, sont pour la premi\u00e8re fois le th\u00e8me  d'une exposition.\r\nLe mus\u00e9e d'Issoudun pr\u00e9sente, le temps d'une  saison, un choix d'une centaine d'oeuvres  r\u00e9v\u00e9latrices du d\u00e9fi lanc\u00e9 par le peintre, ma\u00eetre de  l'abstraction lyrique.","authors":["Pierre Wemaere"],"category_codes":["6000000","6050000","6050500"],"visuals":{"large":"https:\/\/quaidesbrumes.com\/img\/book-placeholder.png","medium":"https:\/\/quaidesbrumes.com\/img\/book-placeholder.png","thumbnail":"https:\/\/quaidesbrumes.com\/img\/book-placeholder.png"},"orderable":true,"show_badge":true,"formatted_price":"23,00 \u20ac","formatted_published_date":"18 juin 2022","publisher_availability_label":"Sur commande","short_details":"Pierre Wemaere \u2014 Mare & Martin","translator":null,"weight":545,"page_count":120,"readership":null,"editor":"Mare & Martin","price":2300,"published_date":"2022-06-17T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782362220661\/pierre-wemaere-vibrations-de-la-nature"},{"id":"9782362220845","title":"Exposer \/ s'exposer : Edgar Degas et James McNeill Whistler m\u00e9diateurs de leur art","description":"Degas et Whistler, personnalit\u00e9s phares des avant-sc\u00e8nes artistiques de Paris et de Londres dans la seconde moiti\u00e9 du XIXe si\u00e8cle, partagent une conscience pr\u00e9coce de l'importance de cr\u00e9er de nouvelles modalit\u00e9s d'expositions pour sensibiliser leurs contemporains \u00e0 un art singulier, r\u00e9solument en marge de celui pr\u00e9sent\u00e9 par les Institutions : des affiches annon\u00e7ant leurs expositions aux titres qu'ils leur donnent, des catalogues qu'ils con\u00e7oivent \u00e0 leurs parti-pris muraux originaux ou l'attention remarquable qu'ils portent \u00e0 leurs cadres, leurs innovations font date dans l'histoire de l'art contemporain et participent \u00e0 la construction de leur identit\u00e9 artistique, au-del\u00e0 des fronti\u00e8res.","authors":["Isabelle Enaud-Lechien"],"category_codes":["6000000","6050000","6050500"],"visuals":{"large":"https:\/\/images.epagine.fr\/845\/9782362220845_1_75.jpg","medium":"https:\/\/images.epagine.fr\/845\/9782362220845_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/845\/9782362220845_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"40,00 \u20ac","formatted_published_date":"9 septembre 2023","publisher_availability_label":"Sur commande","short_details":"Isabelle Enaud-Lechien \u2014 Mare & Martin","translator":null,"weight":540,"page_count":400,"readership":null,"editor":"Mare & Martin","price":4000,"published_date":"2023-09-08T22:00:00.000000Z","support":"Beaux-livres","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782362220845\/exposer-sexposer-edgar-degas-et-james-mcneill-whistler-mediateurs-de-leur-art"},{"id":"9781644231135","title":"Gerhard Richter : New York 2023","description":"Ce catalogue tr\u00e8s attendu, accompagnant la premi\u00e8re exposition de Gerhard Richter avec David Zwirner, pr\u00e9sente les derni\u00e8res peintures de Richter ainsi que ses r\u00e9centes explorations en dessin, en estampe et en sculpture. Connu pour ses peintures abstraites et r\u00e9alistes, Gerhard Richter a poursuivi une pratique diversifi\u00e9e et influente caract\u00e9ris\u00e9e par un engagement de plusieurs d\u00e9cennies envers le m\u00e9dium et ses possibilit\u00e9s formelles et conceptuelles. Des plaques en couleur et des vues d'installations pr\u00e9sentent une s\u00e9lection des derni\u00e8res oeuvres sur toile de l'artiste - r\u00e9alis\u00e9es juste avant qu'il n'annonce sa retraite de la peinture \u00e0 l'huile en 2017 - ainsi qu'une vaste s\u00e9rie de nouveaux dessins r\u00e9alis\u00e9s \u00e0 l'encre, au graphite et au crayon de couleur sur papier, une remarquable s\u00e9rie de tirages \u00e0 jet d'encre chromatiques intitul\u00e9e \"mood\" et une superbe sculpture en verre qui a fait ses d\u00e9buts \u00e0 l'exposition \u00e0 New York.","authors":["Collectif"],"category_codes":["6000000","6050000","6050500"],"visuals":{"large":"https:\/\/images.epagine.fr\/135\/9781644231135_1_75.jpg","medium":"https:\/\/images.epagine.fr\/135\/9781644231135_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/135\/9781644231135_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"85,00 \u20ac","formatted_published_date":"10 octobre 2023","publisher_availability_label":"Sur commande","short_details":"Collectif \u2014 David Zwirner","translator":null,"weight":1601,"page_count":192,"readership":null,"editor":"David Zwirner","price":8500,"published_date":"2023-10-09T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9781644231135\/gerhard-richter-new-york-2023"},{"id":"9791092054996","title":"L'inventaire des dessins d'Antoine-Jean Gros (Paris, 1771-1835) au Louvre","description":"Antoine-Jean Gros (1771-1835), dit aussi le baron Gros, fut l'un des plus c\u00e9l\u00e8bres \u00e9l\u00e8ves du peintre Jacques-Louis David (1748-1825). Il est consid\u00e9r\u00e9, \u00e0 juste titre, comme un pr\u00e9curseur du Romantisme. Plus encore que ses peintures, ses dessins t\u00e9moignent d'un \u00e9loignement progressif de l'enseignement du ma\u00eetre, jusqu'\u00e0 la rupture d\u00e9finitive avec l'esth\u00e9tique n\u00e9oclassique et \u00e0 l'affirmation d'un nouveau style, plus subjectif. Dans les repr\u00e9sentations les plus dramatiques, la facture libre et imp\u00e9tueuse de sa plume et de ses larges lavis montre ces \u00ab qualit\u00e9s fortes et originales \u00bb qui pouss\u00e8rent Delacroix \u00e0 distinguer Gros au sein de l'\u00e9cole davidienne et \u00e0 l'\u00e9lever \u00e0 la t\u00eate de la nouvelle \u00e9cole de peinture. \r\nLe mus\u00e9e du Louvre conserve le plus important fonds de dessins du peintre : quatre-cents-soixante-dix \u00e9tudes r\u00e9unies en carnets ou en feuilles libres, se rattachant principalement \u00e0 son s\u00e9jour italien (1793-1800) et \u00e0 sa rencontre avec Bonaparte \u00e0 Milan (fin 1796), qui fut, on le sait, \u00e0 l'origine de la commande du c\u00e9l\u00e8bre Portrait du g\u00e9n\u00e9ral Bonaparte \u00e0 Arcole (1797, Ch\u00e2teau de Versailles). Plusieurs feuilles t\u00e9moignent de sa ma\u00eetrise absolue de la mise en sc\u00e8ne des victoires napol\u00e9oniennes, Gros \u00e9tant le peintre de Combat de Nazareth (1801), des batailles d'Aboukir (1806), d'Eylau (1807), des Pyramides (1810), de Wagram (1810). Enfin, d'autres \u00e9tudes se rattachent plut\u00f4t \u00e0 ce rappel \u00e0 l'ordre qui s'imposa \u00e0 l'artiste apr\u00e8s la chute du Premier Empire (1814) et la Restauration des Bourbons (1815).  \r\n\r\nConstitu\u00e9 principalement par des achats qui s'\u00e9tag\u00e8rent de 1953 \u00e0 2018, ce fonds n'avait jamais \u00e9t\u00e9 catalogu\u00e9, hormis les huit dessins pris en compte dans le volume VI de l'Inventaire g\u00e9n\u00e9ral des dessins de l'Ecole fran\u00e7aise des mus\u00e9es du Louvre et de Versailles, \u00e9tabli par Jean Guiffrey et Pierre Marcel en 1911. Si plusieurs articles et quelques publications ont depuis contribu\u00e9 \u00e0 sa connaissance, cet ouvrage le reconsid\u00e8re, pour la premi\u00e8re fois, dans son ensemble. L'\u00e9tude syst\u00e9matique du fonds de dessins d'Antoine-Jean Gros au Louvre a relev\u00e9 le caract\u00e8re exceptionnel des quatre carnets, trois d'\u00e9tudes et un de portraits, qui constituent le coeur de la collection. Les premiers sont des pr\u00e9cieux vestiges d'un ensemble d'albums bien plus riche, que l'artiste apporta avec lui en Italie. Ils comprennent des nombreux dessins d'apr\u00e8s l'antique et les ma\u00eetres aussi bien que des paysages et des \u00e9tudes pour les oeuvres personnelles de l'artiste. Le quatri\u00e8me carnet, entr\u00e9 tr\u00e8s r\u00e9cemment dans les collections du Louvre, apporte quant \u00e0 lui un t\u00e9moignage tr\u00e8s raffin\u00e9 du talent de portraitiste de Gros.","authors":["Laura Angelucci"],"category_codes":["6000000","6050000","6050500"],"visuals":{"large":"https:\/\/images.epagine.fr\/996\/9791092054996_1_75.jpg","medium":"https:\/\/images.epagine.fr\/996\/9791092054996_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/996\/9791092054996_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"89,00 \u20ac","formatted_published_date":"5 juillet 2019","publisher_availability_label":"Sur commande","short_details":"Laura Angelucci \u2014 Mare & Martin","translator":null,"weight":1650,"page_count":464,"readership":null,"editor":"Mare & Martin","price":8900,"published_date":"2019-07-04T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9791092054996\/linventaire-des-dessins-dantoine-jean-gros-paris-1771-1835-au-louvre"},{"id":"9780806544168","title":"Matisse at war","description":"Spotlighting the years during WWII when Henri Matisse and his family defiantly refused to evacuate Nazi-occupied France, this groundbreaking book illuminates the previously untold history of their passionate roles in the Resistance and the prodigious, revolutionary work the artist produced in the face of fascism, violence, and hate.\r\n\r\nFor readers of Jeffrey H. Jackson's Paper Bullets, Martin Dugard's Taking Paris, Julie Orringer's The Flight Portfolio, and Picasso's War by Hugh Eakin - from the acclaimed author of The Confidante.\r\n\r\nIn 1940, with the Nazis sweeping through France, Henri Matisse found himself at a personal and artistic crossroads. His 42-year marriage had ended, he was gravely ill, and after decades at the forefront of modern art, he was beset by doubt. As scores of famous figures escaped the country, Matisse took refuge in Nice, with his companion, Lydia Delectorskaya. By defiantly remaining, Matisse was a source of inspiration for his nation.\r\n\r\nWhile enemy agents and Resistance fighters played cat-and-mouse in the alleyways of Nice, Matisse's son, Jean, engaged in sabotage efforts with the Allies. In Paris, under the swastika, Matisse's estranged wife, Am\u00e9lie, worked for the Communist underground. His beloved daughter, Marguerite, active in the French Resistance, was arrested and tortured by the Gestapo, sentenced to Ravensbruck concentration camp-and miraculously escaped when her train was halted by Allied bombs. His younger, son, Pierre helped Jewish artists escape to New York; even his teenaged grandson risked his life by defying the Germans and their Vichy collaborators.\r\n\r\nAmidst this chaos, Matisse responded to the dark days of war by inventing a dazzling new paper technique that led to some of his most iconic pieces, including The Fall of Icarus, his profile of Charles De Gaulle, Monsieur Loyal, and his groundbreaking cut-out book, Jazz. His wartime works were acts of resistance, subtly patriotic and daringly new.\r\n\r\nDrawing on intimate letters and a multitude of other sources, Christopher C. Gorham illuminates this momentous stage of Matisse's life as never before, revealing an artist on a journey of reinvention, wrenching meaning from the suffering of war, and holding up the light of human imagination against the torch of fascism to create some of the most exciting work of his career, of the 20th century, and in the history of art.","authors":["Christopher C. Gorham"],"category_codes":["6000000","6050000","6050500"],"visuals":{"large":"https:\/\/images.epagine.fr\/168\/9780806544168_1_75.jpg","medium":"https:\/\/images.epagine.fr\/168\/9780806544168_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/168\/9780806544168_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"32,00 \u20ac","formatted_published_date":"30 septembre 2025","publisher_availability_label":"Sur commande","short_details":"Christopher C. Gorham \u2014 Random House US","translator":null,"weight":590,"page_count":452,"readership":"Tout public","editor":"Random House US","price":3200,"published_date":"2025-09-29T22:00:00.000000Z","support":"Beaux-livres","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9780806544168\/matisse-at-war"},{"id":"9781855147928","title":"Pre-Raphaelite sisters","description":"Afficher tous les formats et \u00e9ditions\r\nWhen the Pre-Raphaelite Brotherhood (the 'PRB') exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the 'Young Painters of England', this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions.\r\n\r\nThink of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced","authors":["Peter Funnell","Charlotte Gere","Jan Marsh"],"category_codes":["6000000","6050000","6050700","6050707"],"visuals":{"large":"https:\/\/images.epagine.fr\/928\/9781855147928_1_75.jpg","medium":"https:\/\/images.epagine.fr\/928\/9781855147928_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/928\/9781855147928_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"34,00 \u20ac","formatted_published_date":"12 septembre 2024","publisher_availability_label":"Sur commande","short_details":"Peter Funnell, Charlotte Gere, Jan Marsh \u2014 National Portrait Gallery","translator":null,"weight":1590,"page_count":208,"readership":null,"editor":"National Portrait Gallery","price":3400,"published_date":"2024-09-11T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9781855147928\/pre-raphaelite-sisters"},{"id":"9780500298213","title":"Impressionist and post-impressionist drawings","description":"An authoritative analysis of the drawings (including watercolours and pastels) of twenty leading Impressionist and Post-Impressionist artists in one magnificent volume.\r\n\r\nManet, Pissarro, Morisot, C\u00e9zanne, Seurat, Gauguin, Van Gogh and their colleagues made some of the most beautiful drawings in the history of art. This book sets drawings by the Impressionists and Post-Impressionists in the context of late 19th-century France and explains why these particular works are as important as their paintings in the representation of modernity.\r\n\r\nA new approach to materials and a wholly inclusive attitude to exhibitions gave drawings a more elevated status in this period than ever before, which avant-garde artists welcomed in their preference for scenes from contemporary life. For the first time also, painting and drawing shared the same stylistic principles of spontaneity, freer handling and lack of finish. Pastels by Degas, watercolours by C\u00e9zanne, pen-and-ink drawings by Van Gogh and mixed media works by Toulouse-Lautrec have an autonomy of their own, which proved instrumental in the development of modern art.\r\n\r\nThe distinguished art historian Christopher Lloyd examines the drawings of twenty of the leading Impressionist and Post-Impressionist artists, highlighting an aspect of French avant-garde art that remains relatively unexplored and was of immense importance for the art movements that followed.","authors":["Christopher Lloyd"],"category_codes":["6000000","6050000","6050400"],"visuals":{"large":"https:\/\/images.epagine.fr\/213\/9780500298213_1_75.jpg","medium":"https:\/\/images.epagine.fr\/213\/9780500298213_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/213\/9780500298213_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"40,00 \u20ac","formatted_published_date":"9 janvier 2025","publisher_availability_label":"Sur commande","short_details":"Christopher Lloyd \u2014 Thames & Hudson","translator":null,"weight":980,"page_count":288,"readership":null,"editor":"Thames & Hudson","price":4000,"published_date":"2025-01-08T23:00:00.000000Z","support":"Beaux-livres","publisher_availability":1,"stock":0,"editions":["9780500021231"],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9780500298213\/impressionist-and-post-impressionist-drawings"},{"id":"9780500023310","title":"Drawing for illustration","description":"An instructive book that examines the practice of drawing for illustration through case studies and sketchbooks, written by one of the world's foremost experts and teachers on the subject.\r\n\r\nThis essential handbook explores the subject of drawing for illustration in-depth, with an emphasis on drawing as a skill and fundamental language that every illustrator should master. It aims to encourage students through examples and case studies, by showcasing the often-unseen world of draughtsmanship that underpins the finished graphic. From book illustration to graphic novels, caricatures to commercial design, it draws on contemporary sketchbooks, projects and historical examples to make the connection between the practice of drawing from observation and drawing from imagination.\r\n\r\nMartin Salisbury sets out by explaining the fundamentals of this exciting discipline, before outlining the basic principles of line, tone, composition and colour through inspiring examples. Different approaches to drawing including anecdotal, sequential and reportage are examined, to enable students to acquire their own personal visual language. Interviews with illustrators also provide invaluable insight into the creative process, as they outline their challenges and motivations, and what drawing personally means for them.\r\n\r\nPacked with visual inspiration, this book features detailed analysis of works by key illustrators from past and present including George Cruikshank, Egon Schiele, Ronald Searle and Sheila Robinson through to Laura Carlin, Alexis Deacon and Isabelle Arsenault, looking at the differing roles drawing plays in their particular illustrative languages and how styles have changed over time.","authors":["Martin Salisbury"],"category_codes":["6000000","6050000","6051000","6051002"],"visuals":{"large":"https:\/\/images.epagine.fr\/310\/9780500023310_1_75.jpg","medium":"https:\/\/images.epagine.fr\/310\/9780500023310_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/310\/9780500023310_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"39,95 \u20ac","formatted_published_date":"12 ao\u00fbt 2022","publisher_availability_label":"Sur commande","short_details":"Martin Salisbury \u2014 Thames & Hudson","translator":null,"weight":801,"page_count":240,"readership":null,"editor":"Thames & Hudson","price":3995,"published_date":"2022-08-11T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9780500023310\/drawing-for-illustration"},{"id":"9780500025321","title":"The drawings of Vincent van Gogh","description":"A compelling and authoritative overview of the drawings of Vincent van Gogh, one of the most celebrated and intriguing figures in the history of art.\r\n\r\nVincent van Gogh believed that drawing was the \u00abroot of everything.\u00bb This was reflected in the remarkable output of more than one thousand graphic works produced by the artist during his short and dramatic life?many of them personal, often lonely explorations of the emerging modern world. The Drawings of Vincent van Gogh is a comprehensive account celebrating the singularity of the artist's achievements in this field.\r\n\r\nArranging by theme, from drawings of humble harvesters to beautifully rendered depictions of landscapes, pensive life studies to memorable sketches of the famous Yellow House, eminent art historian Christopher Lloyd encourages readers to consider the artist's drawings from a fresh viewpoint: documenting successes and failures, experiments, trials, and disappointments. Primarily self-taught, Van Gogh's approach to drawing was instinctual, but he soon recognized the importance of mastering the grammar of art, as well as materials and techniques, in order to expresshis emotional responses to a subject as vividly as possible. With examples from the artist's voluminous and highly charged family correspondence, sketchbooks, and comparative artworks, this engaging study outlines why drawing is central to Van Gogh's oeuvre, and equal to the intensity and reputation of his paintings.\r\n\r\nFeaturing works from the Van Gogh Museum, Amsterdam, and many other important collections in Europe and the United States, this beautifully illustrated volume offers an extensive interpretation of the artist's drawings, beyond what has been published to date.\r\n\r\n210 color illustrations.","authors":["Christopher Lloyd"],"category_codes":["6000000","6050000","6051000","6051002"],"visuals":{"large":"https:\/\/images.epagine.fr\/321\/9780500025321_1_75.jpg","medium":"https:\/\/images.epagine.fr\/321\/9780500025321_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/321\/9780500025321_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"48,00 \u20ac","formatted_published_date":"4 octobre 2023","publisher_availability_label":"Sur commande","short_details":"Christopher Lloyd \u2014 Thames & Hudson","translator":null,"weight":1001,"page_count":224,"readership":null,"editor":"Thames & Hudson","price":4800,"published_date":"2023-10-03T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9780500025321\/the-drawings-of-vincent-van-gogh"},{"id":"9780500026557","title":"Hokusai's mount Fuji","description":"A wonderfully illustrated exploration of one of Hokusai's key motifs: Mount Fuji.\r\n\r\nKatsushika Hokusai's Thirty-Six Views of Mount Fuji and the three volumes of his subsequent One Hundred Views of Mount Fuji show his fascination with a single motif: Mount Fuji. Hokusai's near-obsession with Fuji was part of his hankering after artistic immortality. In Buddhist and Daoist tradition, this mountain was thought to hold the secret to eternal life, as one popular interpretation of its name suggests: fu-shi (\u00abnot death\u00bb).\r\n\r\nThirty-Six Views of Mount Fuji was produced from 1830 to 1832, when Hokusai was in his seventies and at the height of his career. Among the prints are three of the artist's most famous: The Great Wave of Kanagawa; Fine Wind, Clear Morning; and Thunderstorm Beneath the Summit. By the time he created his second great tribute to Mount Fuji, three volumes comprising One Hundred Views of Mount Fuji, he was using the artist names \u00abGakyo Rojin\u00bb (\u00abold man crazy for painting\u00bb) and \u00abManji\u00bb (\u00abten thousand things\u00bb or \u00abeverything\u00bb). Contrasting the mountain's steadfastness and solidity with the changing world around it, Hokusai depicts Fuji through different seasons, weather conditions, and settings, and in so doing communicates an important message: while life changes, Fuji stands still.\r\n\r\nIncluding all illustrations from these two masterful series, Hokusai's Fuji also features many of Hokusai's earlier renditions of the mountain, as well as later paintings. In this way, through Mount Fuji, this volume traces a history of Hokusai's oeuvre.\r\n\r\n265 color and black-and-white illustrations.","authors":["Kyoko Wada"],"category_codes":["6000000","6050000","6050500"],"visuals":{"large":"https:\/\/images.epagine.fr\/557\/9780500026557_1_75.jpg","medium":"https:\/\/images.epagine.fr\/557\/9780500026557_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/557\/9780500026557_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"34,00 \u20ac","formatted_published_date":"18 novembre 2023","publisher_availability_label":"Sur commande","short_details":"Kyoko Wada \u2014 Thames & Hudson","translator":null,"weight":701,"page_count":416,"readership":null,"editor":"Thames & Hudson","price":3400,"published_date":"2023-11-17T23:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9780500026557\/hokusais-mount-fuji"},{"id":"9780500028124","title":"Esther Mahlangu : To paint is in my heart","description":"Esther Mahlangu: A Life in Color is a captivating exploration of the life and work of the iconic South African painter, one of the most influential artists of Pan-African Contemporary Art.\r\n\r\nEsther Mahlangu is globally acclaimed for her bright and bold abstract paintings with vivid, geometric patterns that are rooted in South Africa's Ndebele artistic tradition. She was a disruptor from an early age, becoming the first person to reimagine Ndebele visual artistic style-historically used for decorating houses-on painting media such as canvas, and has become a much-loved cultural ambassador of the Ndebele Nation.\r\n\r\nEsther Mahlangu: A Life in Color celebrates Mahlangu's remarkable journey as a pioneer of contemporary African art, whose vibrant and distinctive paintings have captured the hearts of many worldwide. Through a series of interviews with Mahlangu conducted by Hans Ulrich Obrist, Azu Nwagbogu, and Thomas Girst, readers will gain insight into her creative process, inspiration, and the cultural significance of her work. With stunning visuals and engaging narratives, this book offers an inspiring experience to the reader.","authors":["Thomas Girst","Azu Nwagbogu","Hans Ulrich Obrist"],"category_codes":["6000000","6050000","6050500"],"visuals":{"large":"https:\/\/images.epagine.fr\/124\/9780500028124_1_75.jpg","medium":"https:\/\/images.epagine.fr\/124\/9780500028124_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/124\/9780500028124_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"28,00 \u20ac","formatted_published_date":"28 novembre 2024","publisher_availability_label":"Sur commande","short_details":"Thomas Girst, Azu Nwagbogu, Hans Ulrich Obrist \u2014 Thames & Hudson","translator":null,"weight":550,"page_count":144,"readership":null,"editor":"Thames & Hudson","price":2800,"published_date":"2024-11-27T23:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9780500028124\/esther-mahlangu-to-paint-is-in-my-heart"},{"id":"9780500029497","title":"Margaret Drabble on the romantics","description":"Margaret Drabble on the Romantics presents an image of Britain as seen through the eyes of some of its most celebrated authors. Many of the Romantics, as well as their successors, are closely associated with particular landscapes the Wordsworths with the Lake District, Walter Scott with the Scottish Borders, the Bront\u00eb sisters with West Yorkshire. Margaret Drabble deepens our understanding of this connection, unpacking the Romantics' fascination with all varieties of rural landscape, from roaring seas to tranquil villages, while also exploring their writing's subtler associations.\r\n\r\nHerself a star in the literary firmament, Drabble illuminates how this love of place fashioned some of the Romantics' greatest works. She considers the resonances of myth and legend, art and earlier literature that the Romantics found in places such as North Wales and Cornwall and investigates how their writing has, in turn, shaped our visual attitudes, taste in landscape and relation to nature.","authors":["Margaret Drabble"],"category_codes":["6000000","6050000","6050400"],"visuals":{"large":"https:\/\/images.epagine.fr\/497\/9780500029497_1_75.jpg","medium":"https:\/\/images.epagine.fr\/497\/9780500029497_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/497\/9780500029497_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"18,00 \u20ac","formatted_published_date":"11 avril 2025","publisher_availability_label":"Sur commande","short_details":"Margaret Drabble \u2014 Thames & Hudson","translator":null,"weight":401,"page_count":88,"readership":"Tout public","editor":"Thames & Hudson","price":1800,"published_date":"2025-04-10T22:00:00.000000Z","support":"Beaux-livres","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9780500029497\/margaret-drabble-on-the-romantics"},{"id":"9780500094150","title":"Georg Baselitz","description":"The book follows the development of Baselitz\u00e2\u20ac\u2122s unique style from his earliest work through to the most recent creations. Calvocoressi\u00e2\u20ac\u2122s masterful construction of a chronological narrative helps us to evaluate Baselitz\u00e2\u20ac\u2122s work in terms of the disruptions of his life \u00e2\u20ac\u00ab historical upheavals witnessed alongside an astonishing career","authors":["Richard Calvocoressi"],"category_codes":["6000000","6050000","6050500"],"visuals":{"large":"https:\/\/images.epagine.fr\/150\/9780500094150_1_75.jpg","medium":"https:\/\/images.epagine.fr\/150\/9780500094150_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/150\/9780500094150_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"130,00 \u20ac","formatted_published_date":"6 mai 2021","publisher_availability_label":"Sur commande","short_details":"Richard Calvocoressi \u2014 Thames & Hudson","translator":null,"weight":3150,"page_count":392,"readership":null,"editor":"Thames & Hudson","price":13000,"published_date":"2021-05-05T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9780500094150\/georg-baselitz"},{"id":"9780500204511","title":"Graphic design in the twentieth century : a concise history 3rd ed (world of art)","description":"The story of graphic design is one of the most exciting and important in the history of twentieth century visual culture. From its roots in the development of printing, graphic design has evolved as a means of identification, information and promotion to become a profession and discipline in its own right. This authoritative documentary history begins with the poster and goes on to chart the development of graphics in brochures, magazines, advertising, corporate identity, television and electronic media. It also discusses technical innovations such as the use of photography, and the revolutionary impact of digital technologies.\r\n\r\nPreserving the author's own original layout, now a typographic and print design classic, and with over 800 illustrations fully integrated with the text, this indispensable account is clear, comprehensive and absorbing.\r\n\r\nWith over 800 illustrations.","authors":["Richard Hollis"],"category_codes":["6000000","6050000","6051000","6051001"],"visuals":{"large":"https:\/\/images.epagine.fr\/511\/9780500204511_1_75.jpg","medium":"https:\/\/images.epagine.fr\/511\/9780500204511_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/511\/9780500204511_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"22,00 \u20ac","formatted_published_date":"6 octobre 2021","publisher_availability_label":"Sur commande","short_details":"Richard Hollis \u2014 Thames & Hudson","translator":null,"weight":501,"page_count":240,"readership":null,"editor":"Thames & Hudson","price":2200,"published_date":"2021-10-05T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9780500204511\/graphic-design-in-the-twentieth-century-a-concise-history-3rd-ed-world-of-art"},{"id":"9780500517345","title":"The sick rose disease and the art of medical illustration","description":"L\u00e8pre, tuberculose, chol\u00e9ra, cancer, maladies de peau ou v\u00e9n\u00e9riennes, voici quelques-unes des r\u00e9jouissances visuelles que propose cette \u00e9tonnante collection de dessins, peintures et estampes m\u00e9dicales datant pour la plupart des 18e et 19e si\u00e8cles. Esprits sensibles s'abstenir.","authors":["Richard Barnett"],"category_codes":["6000000","6050000","6051000","6051002"],"visuals":{"large":"https:\/\/images.epagine.fr\/345\/9780500517345_1_75.jpg","medium":"https:\/\/images.epagine.fr\/345\/9780500517345_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/345\/9780500517345_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"38,00 \u20ac","formatted_published_date":"8 mai 2014","publisher_availability_label":"Sur commande","short_details":"Richard Barnett \u2014 Thames & Hudson","translator":null,"weight":1000,"page_count":256,"readership":null,"editor":"Thames & Hudson","price":3800,"published_date":"2014-05-07T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9780500517345\/the-sick-rose-disease-and-the-art-of-medical-illustration"},{"id":"9782919440146","title":"Ouvrir m'apporte","description":"\u00c0 travers sa peinture et ses mots, D\u00e9borah Chock nous donne acc\u00e8s \u00e0 un monde contenu en nous.\r\nElle a des clefs qui ouvrent les portes et nous permet ainsi de regarder un instant au-del\u00e0.\r\nAu-del\u00e0 et au dedans de nous.\r\nL'expression artistique sert ici \u00e0 r\u00e9ellement \"exprimer\";\r\n\u00e0 sortir de soi par un chemin int\u00e9rieur. Il s'agit d'une oeuvre alchimique o\u00f9 s'op\u00e8re une transmutation du mot courant en ce mot fondateur, originel.\r\nCelui qui dit le sens, donne la signification. Celui qui r\u00e9unit le dire et le faire.","authors":["Deborah Chock"],"category_codes":["6000000","6050000"],"visuals":{"large":"https:\/\/images.epagine.fr\/146\/9782919440146_1_75.jpg","medium":"https:\/\/images.epagine.fr\/146\/9782919440146_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/146\/9782919440146_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"32,00 \u20ac","formatted_published_date":"1er mai 2013","publisher_availability_label":"Sur commande","short_details":"Deborah Chock \u2014 Apeiron","translator":null,"weight":340,"page_count":52,"readership":null,"editor":"Apeiron","price":3200,"published_date":"2013-04-30T22:00:00.000000Z","support":"Grand format","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9782919440146\/ouvrir-mapporte"}]}