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Les danses de la suite fran\u00e7aise (Allemande, Courante, Sarabande, Menuet, Gavotte, Bourr\u00e9e, Passacaille, Chaconne, Gigue...) y sont pr\u00e9sent\u00e9es d'abord globalement puis, pour chacune d'elles, on d\u00e9couvre l'origine qui date souvent de la renaissance, la structure rythmique type avec sa dynamique et une \u00e9valuation du tempo le plus raisonnable.\r\n\r\nDe nombreux exemples courts (huit premi\u00e8res mesures) ou plus longs (premi\u00e8res parties) permettent de d\u00e9finir un arch\u00e9type de chaque danse que l'on peut appliquer, \u00e0 la fin de l'ouvrage, \u00e0 une \u00ab suite puzzle \u00bb.\r\n\r\nCette suite est artificiellement construite avec des danses compos\u00e9es par des musiciens diff\u00e9rents : Robert de Vis\u00e9e, Francesco Corbetta, Fran\u00e7ois Lecocq, Ludovico Roncalli, Jacques Gallot, Henri Gr\u00e9nerin, Charles Mouton, Fran\u00e7ois Campion...\r\n\r\nAu-del\u00e0 du plaisir que l'on pourra prendre \u00e0 (re) d\u00e9couvrir des musiciens ayant illustr\u00e9 une p\u00e9riode riche d'inventions et d'\u00e9l\u00e9gance, avec leurs notes in\u00e9gales, l'ornementation \u00e0 la fois libre et codifi\u00e9e et le \u00ab bon go\u00fbt \u00bb qui les caract\u00e9risent, on pourra, pour chaque danse, comprendre comment J. 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