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La Variation IV est en deux parties. Celles-ci soulignent l'antinomie exprim\u00e9e dans le texte : \u00ab Il a d\u00e9ploy\u00e9 la force de son bras, \u00e9cras\u00e9 les superbes, \u00e9lev\u00e9 les petits. \u00bb - De m\u00eame, pour la Variation V : \u00ab Il a combl\u00e9 les pauvres, amen\u00e9 l'arrogance des riches au d\u00e9nuement. \u00bb - La Variation VI se divise en trois parties : \u00ab La parole de Dieu,  la grandeur, la m\u00e9moire. \u00bb - La note tenue tout au long de la Variation VII symbolise l'\u00e9ternit\u00e9.\r","authors":["Pierre Vidal"],"category_codes":["6000000","6030000","6031200"],"visuals":{"large":"https:\/\/images.epagine.fr\/510\/9790560170510_1_75.jpg","medium":"https:\/\/images.epagine.fr\/510\/9790560170510_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/510\/9790560170510_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"24,27 \u20ac","formatted_published_date":"15 juin 2004","publisher_availability_label":"Sur commande","short_details":"Pierre Vidal \u2014 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Il fut un organiste comme il n'y en a gu\u00e8re dans tout un si\u00e8cle. Disciple de Franck, il avait d'autre part re\u00e7u en h\u00e9ritage un don d'improvisation qui confinait au g\u00e9nie. Tout jeune, je l'ai entendu une seule fois \u00e0 l'orgue de Sainte-Anne-de-la-Maison-Blanche dont il \u00e9tait le titulaire. Je re\u00e7us ce jour-l\u00e0 une des plus foudroyantes \u00e9motions de ma vie.\r\n\r\n\u00catre pris, vous savez ce que cela signifie oe Pris, aspir\u00e9 comme par un maelstr\u00f6m, vid\u00e9 de toute substance personnelle, mais travers\u00e9 en retour par un fleuve de feu qui me ravissait en me br\u00fblant. Tous ceux qui ont entendu Fumet ont \u00e9prouv\u00e9 des impressions analogues \u00e0 la mienne. Son nom ne s'est jamais effac\u00e9 de ma m\u00e9moire\".\r\n\r\nAinsi s'exprimait le c\u00e9l\u00e8bre critique Bernard GAVOTY dans \"MUSICA\" de 1969.\r","authors":["Dynam-victor Fumet"],"category_codes":["6000000","6030000","6031200"],"visuals":{"large":"https:\/\/images.epagine.fr\/435\/9790560170435_1_75.jpg","medium":"https:\/\/images.epagine.fr\/435\/9790560170435_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/435\/9790560170435_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"24,79 \u20ac","formatted_published_date":"15 juin 2004","publisher_availability_label":"Sur commande","short_details":"Dynam-victor Fumet \u2014 Delatour","translator":null,"weight":170,"page_count":52,"readership":null,"editor":"Delatour","price":2479,"published_date":"2004-06-14T22:00:00.000000Z","support":"Partitions musicales","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9790560170435\/loeuvre-pour-orgue-volume-2"},{"id":"9790560172217","title":"Entre danses pour saxophone alto et piano","description":null,"authors":["Didier Goret"],"category_codes":["6000000","6030000","6031200"],"visuals":{"large":"https:\/\/images.epagine.fr\/217\/9790560172217_1_75.jpg","medium":"https:\/\/images.epagine.fr\/217\/9790560172217_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/217\/9790560172217_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"24,79 \u20ac","formatted_published_date":"15 juin 2004","publisher_availability_label":"Sur commande","short_details":"Didier Goret \u2014 Delatour","translator":null,"weight":170,"page_count":52,"readership":null,"editor":"Delatour","price":2479,"published_date":"2004-06-14T22:00:00.000000Z","support":"Partitions musicales","publisher_availability":1,"stock":0,"editions":[],"url":"https:\/\/quaidesbrumes.com\/ouvrage\/9790560172217\/entre-danses-pour-saxophone-alto-et-piano"},{"id":"9790560174266","title":"Floril\u00e8ge de la guitare classique de Bach \u00e0  Debussy","description":"Mes nombreuses ann\u00e9es de pratique de l'enseignement de la guitare, tant \u00e0 des enfants qu'\u00e0 des adultes, m'ont fait mesurer \u00e0 quel point la connaissance des grands compositeurs, de leurs oeuvres et de leurs \u00e9poques, fait souvent d\u00e9faut \u00e0 mes \u00e9l\u00e8ves. Fort de ce constat, et voulant am\u00e9liorer cette connaissance, j'ai d\u00e9cid\u00e9 de transcrire pour deux guitares certains extraits des oeuvres majeures des grands compositeurs.\r\n\r\nLe choix d'une pi\u00e8ce de chaque compositeur s'est av\u00e9r\u00e9 d\u00e9licat : il s'agissait en effet de privil\u00e9gier une pi\u00e8ce courte, de difficult\u00e9 moyenne, et surtout dont le rendu \u00e0 la guitare serait fid\u00e8le \u00e0 l'oeuvre, et agr\u00e9able \u00e0 \u00e9couter. Pour que le jeu des deux guitares soit \u00e9quilibr\u00e9, j'ai souvent fait alterner la partie m\u00e9lodique de l'une \u00e0 l'autre.\r\n\r\nJe vous conseille donc, pour bien interpr\u00e9ter chacune de ces oeuvres, d'en \u00e9tudier d'abord la transcription dans son ensemble, tout en recherchant o\u00f9 se situent chacune des diff\u00e9rentes parties (m\u00e9lodique, basse et interm\u00e9diaire).\r","authors":["Takashi Ogawa"],"category_codes":["6000000","6030000","6031200"],"visuals":{"large":"https:\/\/images.epagine.fr\/266\/9790560174266_1_75.jpg","medium":"https:\/\/images.epagine.fr\/266\/9790560174266_1_m.jpg","thumbnail":"https:\/\/images.epagine.fr\/266\/9790560174266_1_v.jpg"},"orderable":true,"show_badge":true,"formatted_price":"25,32 \u20ac","formatted_published_date":"15 juin 2004","publisher_availability_label":"Sur commande","short_details":"Takashi Ogawa \u2014 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